PDF Ebook Complete Book of Irish & Celtic 5-String Banjo, by Tom Hanway
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Complete Book of Irish & Celtic 5-String Banjo, by Tom Hanway
PDF Ebook Complete Book of Irish & Celtic 5-String Banjo, by Tom Hanway
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An important anthology of Irish and Celtic solos for the 5-string banjo featuring a comprehensive, scholarly treatise on the history, techniques, and etiquette of playing the banjo in the Celtic tradition. Includes segments on tuning, pick preferences, and tablature reading followed by 101 jigs, slides, polkas, slip jigs, reels, hornpipes, strathspeys, O’Carolan tunes, plus a special section of North American Celtic tunes. A generous collection of photos of Irish folk musicians, street scenes, and archaeological sites further enhances this fabulous book. All of the solos included here are written in 5-string banjo tablature only with a few tunes set in unusual banjo tunings. The appendices provide a sizable glossary and a wealth of information regarding soloists and groups playing Celtic music, Irish festivals, music publications, on-line computer resources, cultural organizations, and more. If you are serious about playing Celtic music on the 5-string banjo, or if you don’t play the banjo but simply want to expand your knowledge of the Celtic music tradition - you owe yourself this book. The first-ever audio collection of Irish and Celtic music for 5-string banjo provides 68 lovely melodies and demonstrates revolutionary techniques for playing highly ornamented tunes and rolling back-up. Recorded in stereo with virtuosos Gabriel Donohue (steel- and nylon-string guitar and piano) and Robbie Walsh (bodhran- frame drum played with a stick), the five-string banjo is “out front” and plays through each melody in real-life tempo with authentic Celtic chordal and rhythmic backing. The recording features the music of all Six Celtic Nations and includes jigs, reels, hornpipes, slides, polkas, marches, country dances, larides, andros, slipjigs, strathspeys, airs and O’Carolan tunes. 35 songs in the book are not recorded. Audio download available online.
- Sales Rank: #1107710 in Books
- Brand: Mel Bay
- Published on: 2015-07-02
- Original language: English
- Number of items: 1
- Dimensions: 11.00" h x .41" w x 8.50" l, .0 pounds
- Binding: Paperback
- 182 pages
Most helpful customer reviews
19 of 20 people found the following review helpful.
You want to go pan-celtic?
By Chris Ragaisis
Do you want the quick version of this review? If you want to expand your banjo technique and repertoire into the pan-Celtic realm, BUY THIS BOOK.
Fin.
Alright, a slightly longer review... Tom Hanway has put together a fantastic "middle point" to learning how to integrate your 5-string banjo playing into that large, mashed realm of "celtic" music. You get tunes of Irish, Scottish, British, Canadian, and American origin all played with an ear towards the Celtic tradition.
It's a "middle point" because the book is NOT for beginners. The book assumes that you have facility with playing melodic (and some single string) style on the 5-string, and it takes you from there. You learn techniques that many Scruggs style players will consider advanced. Lots of inside rolls - often on the same string or combining two strings for a run of several notes and multiple hammer-ons and pull-offs are used.
There is light at the end of the tunnel, though. These techniques will make you a better banjo player. There are a _ton_ of tunes in this book so you can get a flavor of the various sub-styles to determine where your interests lie. It also comes with a CD where the author plays through about two thirds of the tunes in the book as well as playing through the exercises to learn the techniques. The banjo in these recordings is VERY prominent with just a hint of guitar and bodhran percussion in the back.
Finally, the book is packed with the history of the music as well as tips on jamming, playing etiquette, and how to approach playing backup (probably the most important thing in a jam).
Oh, and the author is a great guy who will answer your e-mail with any questions that you might have.
Given the general dearth of material in this area and the fact that this is a fantastic resource for playing the 5-string in this style, making the decision to buy shouldn't be too difficult.
5 of 5 people found the following review helpful.
A Good Collection
By drees
This is a book for a more advanced intermediate player but there are a few things missing for such a player. I like the selection of songs, some mainstream and some less widely known. I think the author missed the boat by not including chords with the tunes; or including music notation in place of the chords to aid the customer in writing them in. This is probably my biggest problem with the book and why I did not give it 4 or 5 stars. I don't mind the additional information on the descriptions of the various types and structure of songs in the book. The musical notation and/chords would help an intermediate player in playing backup. An intermediate to advanced player would not need the right hand rolls and fingers used laid out for him/her. I have found other ways of playing the same notes that are easier for me and if the fingering was omitted then the chords or notation could be put in instead (if cost effectiveness is the issue for leaving them out).
Despite these observations, I am glad I have source of these Celtic tunes for a five string banjo, playing bluegrass style. There is a lot out there for Clawhammer style and it's nice not to have to always play standard Bluegrass songs or mainstream fiddle tunes.
2 of 2 people found the following review helpful.
Celtic 5 String Banjo Bible
By Peter Somerville
This book must have taken years to write, and it has been time well spent. Tom has thoroughly immersed himself in the culture and music of Ireland, and one listen to the CD will confirm the legitimacy of the five string banjo as part of Celtic music. The arrangements are very playable (with practice and the willingness to learn new techniques) and sound great. Tom doesn't limit himself to a purely Scruggs, single string or melodic approach to play the melodies but uses whatever technique works best for each tune.
The glossary answers any questions one might have about the history and unique aspects of Celtic music, with definitions of Celtic terms and related information. The numerous detailed essays relating to Celtic music and the banjo are well written, highly informative and inspiring.
In my opinion this book will become the bible of Celtic music for the 5 string banjo. Anyone who has already mastered some basic skills on the 5 string and is interested in learning how to play Celtic music should buy this book.
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